Seattle Repertory Theatre presents HERSHEY FELDER AS IRVING BERLIN from February 23 to March 18, 2018. Librarians at Seattle Public Library created this resource listof books, CDs, DVDs and musical scores to enhance your experience of the show.
“Alexander’s Ragtime Band” “Blue Skies” “Always” “Cheek to Cheek” “Puttin’ on the Ritz” “Easter Parade” “What’ll I Do” “How Deep Is the Ocean” “The Song Is Ended” “God Bless America” “White Christmas”…the list goes on and on…and on! Irving Berlin was a tireless worker who wrote over 1500 songs – a staggering amount – and what’s even more remarkable than the sheer number of songs is the high quality of so much of his work. Regardless of whether he was writing for the stage, for film, or stand-alone popular songs, he was a master songwriter (without ever having learned to read music). From his birth in Russia in 1888 to his death at age 101, The Seattle Rep’s “Hershey Felder as Irving Berlin” explores the man behind all of this extraordinary music.
From the Rep’s synopsis:
From Imperial Russia to the streets of the Lower East Side, ACTOR AND PIANIST Hershey Felder takes us on a journey through “AMERICA’S COMPOSER” Irving Berlin’s incredible and fascinating life. Featuring Berlin’s most enduring tunes including “God Bless America” and “White Christmas,” this musical portrait is an uplifting IMMIGRANT TALE that breathes new life into THE AMERICAN DREAM.
Here in Seattle we claim playwright August Wilson as one of our own, even though he was born in Pittsburgh and spent only 15 years (from 1990 until his death in 2005) here. But it was here, in the basement of his Capitol Hill house, where he completed his magnificent Pittsburgh Cycle (sometimes also called the Twentieth Century Pittsburgh Cycle). It was here where he worked with Seattle Repertory Theatre to produce all ten plays in the cycle. It is here, in Seattle, where a lovely walkway, just south of the Seattle Rep (along the vacated Republican Street between Warren Ave N. and 2nd Ave. North) is known as August Wilson Way.
It’s that time of year again – a time of ghosts and goblins, of sudden chills and flickering candle flames at the stroke of midnight, of frights and haunts and things that go bump in the night. No, this isn’t a leftover post from Hallowe’en. For the Victorians, the spookiest holiday of the year was Christmas. Here’s British writer Jerome K. Jerome in 1891:
“There must be something ghostly in the air of Christmas — something about the close, muggy atmosphere that draws up the ghosts, like the dampness of the summer rains brings out the frogs and snails… Nothing satisfies us on Christmas Eve but to hear each other tell authentic anecdotes about specters. For ghost stories to be told on any other evening than the evening of the twenty-fourth of December would be impossible in English society as at present regulated.”
Join us November 18th at Timbre Room, 7-8:30pm, for Carnal Knowledge, a burlesque show designed to educate and entertain. Performances featuring Miss Kitty Baby, The Marquis Façade, Mx. Pucks A’Plenty and more! Hosted by Donatella Howe this show will explore the forms and functions of the art and the local history of burlesque. This event is 21+. Library events and programs are free; registration is not required.
To prepare yourselves for a night of tantalizing delight, here are a few novels to get you in the mood:
Seattle Repertory Theatre presents Stephen Karam’s THE HUMANS from November 17 to December 17, 2017.
Stephen Karam’s THE HUMANS is an uproarious, hopeful, and heartbreaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate and give thanks at his daughter’s apartment in Lower Manhattan. As darkness falls outside the ramshackle pre-war duplex and eerie things start to go bump in the night, the Blake clan’s deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed with humor and compassion in this new American classic that won the 2016 Tony Award™ for Best Play.