When Beyoncé’s visual album Lemonade was released this past April, it became an internet sensation. But did you hear about the amazing resource, titled the Lemonade Syllabus, which was inspired by it?
After many people across the world watched Beyoncé’s visual album, writer and educator Candice Benbow wanted to find a way to continue the conversation around the album’s themes of Black female empowerment and feminism. So Benbow started the hashtag “#LemonadeSyllabus” and asked that Black women around the world use the hashtag to suggest songs, books, film and poetry that were “primarily by Black women- that they believe best accompanied Lemonade and spoke to the essence of Black womanhood in its historical and contemporary manifestations.” Continue reading “Have you heard of the #LemonadeSyllabus?”
~posted by Diane
I’ve always been proud to have been a college student in the 1970’s when the campuses were hotbeds of protest, hippies, and monumental societal change. Those turbulent and triumphant times written about in recent children’s books allow us to relive those moments with awe. Sometimes children’s books are really best appreciated by adults, especially those of us who lived through it all. They also stand as tributes to the sacrifices and heroism deservedly celebrated during Black History Month. So for adults and children alike, here are some suggestions: Continue reading “Radical Reading for February”
~posted by Frank
2014 was another banner year for African American films and filmmakers, capped off by Chris Rock’s hysterical turn as star and director of Top Five and Selma, which has earned a Best Picture nod at this year’s Academy Awards as well as a nearly perfect 99% score on Rotten Tomatoes. While you’re waiting for these on DVD, check out these fine features. Continue reading “Movie Mondays: African American Films you may have missed”
Once you read Nancy Rawles’ My Jim, a compelling slave story about Sadie (the wife of Huck Finn’s friend Jim), who chose to remain a slave and stay with her family on the plantation, you will likely want to read other stories like it: narratives that sweep you back in time and make you think. Most slave narratives, unlike My Jim, are the stories of men and women who strove to escape. Some African American historical fiction reveals slavery’s cruelty and harsh conditions, but very few novels feature strong, admirable slaves who chose to stay together rather than attempt personal escape.
Another painfully lyrical family story is J. California Cooper’s The Wake of the Wind, in which a homestead settled by freed slaves provides the backdrop for the story of another strong family determined to survive. Mor and Lifee struggle through the Reconstruction period — the obstacles of racial hatred and their resulting poverty— and leave strong, capable children who value their freedom and strive for justice, to keep the family together. Continue reading “Want to read more African American historical fiction?”
Here is a continuation of the Writers of the Harlem Renaissance post from Tuesday:
Jessie Redmon Fauset
Though she is not very well-known today, Fauset was, along with Zora Neale Hurston, one of the most prolific African America writers of the Harlem Renaissance. Two of her four novels, There is Confusion and Plum Bun: A Novel without a Moral, deal with the issue of light-skinned blacks “passing” as whites. The Chinaberry Tree features two heroines struggling with illegitimacy and personal identity in a middle class black community. Comedy, American Style portrays a female protagonist who wishes to be white, and her husband and son who are proud of their African American heritage. Often accused of having middle class idealized values, Fauset is nevertheless one of the main black writers of her time and her work is well worth exploring.
Imagine an African American librarian in New York in the 1920s: quiet, intelligent and insightful. These are the qualities Larsen brings to her Continue reading “Writers of the Harlem Renaissance, Part II”