Imagine yourself at an art exhibition viewing the installation of an internationally known artist. This is how the play CAUGHT begins, a compelling work for those who relish unconventional narratives and conceptual art. The audience is a part, not apart, from the action of a “labyrinthine exploration of truth, art, social justice and cultural appropriation, where nothing is as it first appears.”
You’re here to hear the artist, Lin Bo, give a gallery talk. He is enjoying wide exposure and his work has come to greater prominence because of an article published about him in the New Yorker. Having been imprisoned in China for a single work of art, Lin Bo is telling his side of the story. If you think this sounds sort of like Ai Weiwei, You’re headed in the right direction. Bo’s character was partially based on the dissident artist’s life.
Lin Bo talks about contemporary art and artists in China. He describes how in China, One Million Artists face censorship and suppression. Scenes of Tiananmen Square, Mao, the Cultural Revolution, uproar and protest spill from his mouth.
The Seattle Public Library is partnering with the Seward Park Audubon Center for Bird Week, April 23-30, in celebration of the center’s 10th anniversary and the National Audubon Society’s 2018 Year of the Bird.
An artist’s life can be as compelling as the work they produce. A documentary, at best, strives to render a portrait of the artist as honestly as possible. This, of course, is as close as any of us will get to being in the same room with a person whose life and work draws us in. What will you find that you do not, already, know? Will this new view enhance the experience of the art or detract from it?
What is art, anyway? Merriam-Webster defines it as “the conscious use of skill and creative imagination especially in the production of aesthetic objects.” With such a broad definition, there are many different directions readers can go with this particular Book Bingo square. Here are a few strategies for filling this square:
I am unceasingly inspired by the artistic wizardry of Ralph Steadman, particularly his knack for evocative frenzy. Though clearly an expert draughtsman, he’s made a career out of twisting conventional imagery with a demented cartoon sensibility. What appears at first in his work to be frayed and chaotic ends up revealing character with a greater degree of expression impossible with straight realism.
Bathing in his splatters and scribbles is a great recipe for creator’s block, and luckily the Seattle Public Library recognizes the necessity of such work. Here are a few essential Steadman volumes in the collection: Continue reading “Ralph Steadman: Evocative Frenzy”