We get it: you’re stuck. Your productivity levels are low, imagination exhausted, and creativity, well, not entirely there. Everybody has those days! Yes, even the great and genius creators of art in their prime. So take a seat, and watch their trials and successes unfold in these biopics available on Kanopy and Hoopla with your Seattle Public Library card. They might even help in getting you out of that rut.
Frida Kahlo is depicted on Frida, in which the Mexican Surrealist painter’s life is explored–from her youth to her relationships with others, most notably with fellow artist Diego Rivera. It follows the triumphs and tragedies in her personal and professional abilities. The film received multiple nominations and awards in the United States and internationally.
Séraphine follows Séraphine Louis, a French painter with humble beginnings. She regarded her painting to be an experience deeply inspired by religion and nature. When an art critic begins to encourage and support her talent, the painter’s circumstances improve, but not for long. The film received multiple César Awards, the French national film awards.
Loving Vincent presents Vincent van Gogh’s life through the eyes of his acquaintances after the artist’s death. If you are not drawn in by the tragic story of van Gogh, the techniques used to produce the film might invite you to stay. Considered an animation, the movie itself is the combined effort of more than one hundred artists from around the globe, showing each frame as an oil painting on canvas in the same style as van Gogh. Continue reading “Now Showing: Artists and Their Works on Screen”
Seattle hosts a rich tradition of art-making from Northwest Indian arts to contemporary artists. A spectrum of artists of every level and medium, of organizations, collectors and art lovers engenders a vibrant community within and beyond our city limits.
The Seattle Public Library has long held a significant place in this city’s arts infrastructure. Our collections continue to be an important resource for artists, educators and the general public as a source of information and inspiration in the arts.
For over 100 years, The Seattle Public Library has collected artworks by Northwest artists that can be seen in the Central Library and in branch libraries. Containing works by such noted artists as Guy Anderson, Paul Horiuchi, James W. Washington, Jr. and Doris Totten Chase, The Seattle Public Library Northwest Arts Collection is a testament to the persistence of the significant presence of the arts in this region.
Sometimes it is hard to separate the two, don’t you think? I mean the hard-baked idea of what an artist is or is not. The journey of an artist becoming an artist may be singular, but it is accompanied by a lot of noise!
Do you chart your own path or are you casting about for an identity that will fit? Masked or unmasked, imaginary or realistic, we hold in mind the idea of an artist, the ideal kind of artist we aspire to be and the one we encounter in the mirror.
You, already, have it all! An artist is creator and creation in constant flux and motion. There is a huge art eco-system encompassing Sunday painters, internationally-recognized artists and everyone else in between. While there are multitudes of artists, one story counts and that is the one you are creating. Continue reading “The Artist in Fiction or Creating Your Own Story”
Take your own sweet time. Peruse. Investigate. Gaze, fully and deeply.
There is no substitute for an unfiltered viewing of a work of art. The encounter between the viewer and the object is personal and unmatched. Does it grab your attention? Are you compelled to look and not, merely, glance? Excited, indifferent, pleased or repulsed we cannot help but to respond to works of art.
An artist’s life can be as compelling as the work they produce. A documentary, at best, strives to render a portrait of the artist as honestly as possible. This, of course, is as close as any of us will get to being in the same room with a person whose life and work draws us in. What will you find that you do not, already, know? Will this new view enhance the experience of the art or detract from it?