Imagine yourself at an art exhibition viewing the installation of an internationally known artist. This is how the play CAUGHT begins, a compelling work for those who relish unconventional narratives and conceptual art. The audience is a part, not apart, from the action of a “labyrinthine exploration of truth, art, social justice and cultural appropriation, where nothing is as it first appears.”
You’re here to hear the artist, Lin Bo, give a gallery talk. He is enjoying wide exposure and his work has come to greater prominence because of an article published about him in the New Yorker. Having been imprisoned in China for a single work of art, Lin Bo is telling his side of the story. If you think this sounds sort of like Ai Weiwei, You’re headed in the right direction. Bo’s character was partially based on the dissident artist’s life.
Lin Bo talks about contemporary art and artists in China. He describes how in China, One Million Artists face censorship and suppression. Scenes of Tiananmen Square, Mao, the Cultural Revolution, uproar and protest spill from his mouth.
Now, imagine yourself caught inside of an ever-changing narrative of multiple viewpoints circling around The Truth and Other Lies. This play, does exactly that, it takes the audience not down but through the “rabbit hole” of perception. Continue reading “Intiman’s CAUGHT: Beyond the Theatre”